Here’s what Andy Blankenbuehler, my former student at BDC and three-time Tony-winning Broadway choreographer (Hamilton, Bandstand, and In the Heights) says: “Thousands of lessons, hardships, joys, and triumphs . . . thousands of moments when generosity shapes the future. These are gifts along the journey of life! In this book, Finis Jhung honors those gifts, and shows through his words, teaching, and career, that the journey is not successfully navigated without a stunning love for the work and a great deal of inspiration. As a teenager, I walked into Finis’ class with my dance bag and countless hopes and dreams. Luckily for me, a stunning love for the work and a great deal of inspiration was waiting at the barre.”
And strangely enough, twenty years ago, when Andy first tried his hand at choreography for a regional theater, I interviewed him for my website. I knew then he was a special talent who had the makings of success—but never to the degree he has since attained! Busy as he is, Andy found time to write his thoughts about my memoir while flying to the UK to set his choreography on the London production of Hamilton which premieres this December.
Finally, my mind can relax, and I look forward to sleeping at night without memories of the past making me jump out of bed to write them down to add to the memoir. The hardest part of writing the book was not so much the writing—which I’ve always enjoyed (even as a cub reporter for the local newspaper in Honolulu when I was eighteen years old)—but hunting down the people who took photos of my dance activities from 1949 to 1986 and getting their permission to publish.
This has truly been a labor of love, and with the completion of each chapter, I have continually been reminded of how fortunate I am to have been able to enjoy the realization of all my once seemingly impossible childhood dreams.
Release date is December 1, but Ballet for Life is available to pre-order now.
As many of you know I will be having hip replacement surgery performed this Wednesday, September 6th at the NYU Langone Medical Center under the direction of the inventor of a new procedure, Dr. Roy Davidovitch.
My son, Jason, will be documenting my recovery on Instagram and you can follow @fjballet or search the hashtag: #fjrecovery
Here I am at the Pre Admission Testing Center last week:
Hopefully I will be able to pirouette again, and sometime soon!
FJ Now: Memoir Update
I am 80% finished with the memoir having just completed Chapter 10 – Chamber Ballet U.S.A.
Many of you may not know that I owned my own company from 1981 – 1986, and writing this chapter reminded me of hair-losing dramas like being forced to choreograph a ballet for opening night in New York in less than two weeks.
Here is an excerpt from Chapter 10 – Chamber Ballet U.S.A.:
Juan and Ellen were to perform Vicente Nebrada’s brilliantly choreographed A Dance for You, a bravura pas de deux to the piano music of Teresa Carreno. Both Ellen and Juan are exceptionally talented virtuoso dancers with extraordinary technical facilities, musicality, and artistry. This would have been the highlight of the evening—or, for that matter—any evening anywhere. A truly staggering dance event.
And then, two weeks before the show, Juan’s knee begins to give out. Before coming to New York, he had had trouble with his knee. The demands of Vicente’s choreography have reawakened an old injury. Juan breaks down in tears, saying his knee hurts so badly he’s afraid it’s going to give out on him. Oy vey. What are we to do?
So, out goes A Dance for You, and in comes Libido.
With our limited budget, and without Juan, it fell to me to choreograph a replacement ballet. Bill Soleau is such a graceful manly dancer. He is not a ballet virtuoso, but he moves beautifully. And Ellen can do anything you ask. So, I desperately create a duet for them that I intend to be fun and sexy. I begin listening to music, and discover the scherzo movement of Mahler’s Symphony No. 7. Libido is born.
Bill and Ellen are good sports about working late at night. We do the best we can, under the forced circumstances, and this is why it promises more than it delivers. In 1984, I’ll rework it and critics and audiences will get what they paid for.
People have been asking me to write my biography for years.
But, I don’t like looking backward – I’m always trying to think of new ways to teach ballet, so my mind is always focused on the present and future moments.
This past winter, my son Jason started producing my new FJ Single Streaming Exercise videos and he sat me down for an interview for what was supposed to be a short video for the About section on my website.
He asked me a question about when I first found my love for ballet, and I ended up talking for 40 minutes and more or less told the story of my life since I first began dancing at age 9 in WWII Honolulu.
After finally watching the whole interview, I began looking through my photo collection, and realized I have a lot of very interesting pictures from my past 71 years of loving ballet.
So, I thought, why not a pictorial memoir? Not a biography with zillions of words, but more like a scrapbook of interesting photos and little stories about them.
I spent most of January and February collecting all the photos I could find: from growing up in Honolulu, studying with “Mr. C” (William F. Christensen) at the U. of U., dancing on broadway in Flower Drum Song, joining the San Francisco Ballet, going to Hollywood to dance in the film version of Flower Drum, joining the Joffrey Ballet, the Harkness Ballet, leaving the ballet world for 3 years to devote myself to world peace through Buddhism, opening the Finis Jhung Ballet Studio, getting married, losing our first child to meningitis, but then having another son, Jason, who is today my office manager and emerging video producer, founding and directing my own Chamber Ballet USA, going through a divorce and single-parenting Jason, teaching in all the major studios in NY, and at workshops in the USA and Europe, and producing more than 50 instructional ballet videos and 18 music CDs for the ballet class, and today teaching my adult babies at The Ailey Extension.
What has been extremely time-consuming, frustrating and rewarding was locating the photographers who took the photos so that I could have their permission to publish. Michael Avedon photographed the Harkness Ballet, and after weeks of searching I was told that, sadly, he had passed away. I was greatly saddened to learn this as we had been good friends. And even more saddened to know that I would not be able to use his photos.
And then, through Christine Redpath, I was referred to Mimi Paul (yes, that gorgeous NYCB ballerina of the 60’s) who told me Michael is very much alive! And now I have secured his permission, and you will be able to enjoy his photographic artistry.
I did not keep diaries, and, in fact, I threw out some incredible media when I left the ballet world, so it is challenging to try to remember specific events.
But at the same time, I am being energized as I realize through the photos all the wonderful events that have happened so far have fulfilled all my childhood dreams I had growing up in a poor family in Honolulu.
I am blessed, and hope to share that with you in BALLET FOR LIFE: A Pictorial Memoir by Finis Jhung.
Speaking of which, if any of my customers or friends are in publishing I am actively seeking a publisher. Please contact me via email: firstname.lastname@example.org or via phone: 1-800-357-3525
Finally, do any of you have a favorite memoir? If so, what do you love about it?
Last Sunday, my adult babies & the Ailey Extension hosted a celebration for my forthcoming 80th birthday. I was overwhelmed! It was so wonderful to see so many lovely people—some of whom I couldn’t recognize because I’ve never seen them with their (street) clothes on and their hair down!
Special thanks to the those who put the event together: Caleena Chiang, Graham Daw, Noreen Figueroa, Mariko Fukuyama, Donna Ghelerter, Hilde Gore, Jin Kang, Donna Knipp, Adele Macintosh, Ari Miyagawa, MP Nunan, Mayumi Omagari, Sooji Pak, Ileana Luminita Ray, Amy Thomas, and Julie Wong. (If I’ve missed anyone, please accept my apologies.)
Making the occasion especially joyous was the presence of dear people from my dance journey who are still very much with me today:
Judy Weiss, Master Pointe Shoe Fitter at Grishko NY (she was in my very first ballet class 45 years ago)
Larry Rhodes, Director of Dance at Juilliard (we shared the stage in the Joffrey & Harkness Ballet companies 48 years ago)
Christine Redpath, ballet master at NYCB (my first New York City Ballet dancer 44 years ago)
Barbara Forbes, Feldenkrais practitioner and teacher of ballet at Sarah Lawrence College (the ballet mistress for my Chamber Ballet USA 1982-1985)
Recording the event for posterity was my video director/producer and business manager son Jason, and his expert cameraman, Gregory Washington. And let’s not forget the ever-present Stephen von der Launitz, who began studying with me in 1984 and has photographed most all my DVD & CD covers, designed earlier catalogs and has shot all the photos you love to see on Facebook. Adding family joy was my niece, Catherine Jhung Hickey, and her handsome son, Shannon.
Thank you all for your beautiful cards and gifts, and a special thank-you to Dana Evans for showing the spirit of aloha with her heart-felt hulas. In Hawaii, we have a special word for “thank you”—it’s MAHALO.
I gave my final Monday evening class for Absolute Beginners at the Ailey Extension this week.
After 45 years of teaching, I’ve decided I need another full day off so that I can focus on writing my memoir (and other books) and to create more short videos for those of you who can’t attend my NY classes.
Thank you to all my dedicated Monday students over the years. If you can’t make any of my other classes during the week, you should try my streaming single videos so you can continue your ballet education at home, at work, or on vacation.
I hope you will all attend the weekend workshops for Adult Students and Teachers this summer, as they will be the last. Much as I love doing them, they don’t come out of thin air—I spend hours scripting the workshops and then teach for almost 10 hours each weekend. It is true, I am turning 80 and my muscles are demanding rest and care.
Working on my memoir (working title: Ballet for Life)—is a challenging experience. You know I only like to live in the present and look forward to the future, which is why I’ve never tried to write my own biography—all those words! But, many of you have commented so often on the pictures I’ve posted on Facebook, so I thought “Ah ha!”—I’ll make a pictorial memoir. It’s all based on photos of events in my life that go all the way back to 1938.
But that also has not been easy: sifting through photos I haven’t bothered to look at in years; trying to find the photographers who recorded my professional career to ask their permission to publish—and sometimes going into blind alleys—and sometimes finding pots of gold such as unpublished photos of me in the Joffrey and Harkness Ballets by master photographers like Jack Mitchell.
The upshot is that I realize I’ve led a blessed life—which you will see when you read the book—I was born under lucky stars—or as we say in Buddhism, I’ve had very good karma. One thing has always led to another, each better than the one before, and at age 80 I have so many wonderful people like you, who make my life worth living—and serving.
Mahalo and a Happy Memorial Day Weekend to everyone!