The Finis Jhung Ballet Technique Level 3: Centerwork

$27.74$50.23

Level 3 Centerwork.
Taught by Finis Jhung.

Levels 2 & Up. All Regions DVD. 65 minutes. 13 center exercises.

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Earn up to 50 FJ Rewards.

Finis Jhung shows each exercise, Glenn Keenan of The New York City Ballet does it, Finis analyzes and coaches, and Glenn repeats. You’ll perfect your pas de bourrées dessous (under) and dessus (over). You’ll develop balance and strength as you learn to relevé in passé and arabesque. The waltz step (pas de valse) teaches you to articulate your steps and develops correct alignment and balance. You will develop movement skills that allow you to change feet quickly, even as you switch directions and turn around. Your elevation work includes petit pas de chats, changements, sissone simple, and échappé sauté. After you’ve mastered these centered exercises, you’ll find you’ve gained strength, speed, and range of movement. To dance is to live. The CD music is by Scott Killian

  1. Tendu plié, pas de bourrée dessous, passé en arrière, port de bras
  2. Pas de bourrée dessus, dessous, tendu, fondu arabesque, pas de bourrée en avant
  3. Fondu derrière, pas de bourrée dessous-dessus, grand rond de jambe
  4. Fondu arabesque, pas de bourrée dessous, pas de bourrée en tournant en dehors, fondu derrière, pas de bourrée dessous, temps lié
  5. Pas de valse en avant & en arrière, temps lié, tendu pose
  6. Relevé en arabesque, battement glissé, fondu derrière, pas de bourrée dessous
  7. Pas de valse en arriére & en avant, relevé arabesque, pas de bourrée dessous
  8. Slow relevé passé en arriére, relevé arabesque, pas de bourrée en tournant
  9. Coupé terre à terre, relevé passé en arriére
  10. Quick relevé passé en arriére, glissé-relevé arabesque, pas de bourrée dessous, changements
  11. Petit pas de chat, fondu arabesque, changement
  12. Changement, sissone simple derrière, pas de bourrée dessous-dessus, changement
  13. Petit échappé saute, sissone simple derrière, pas de bourrée dessous, relevé arabesque, fondu arabesque, pose, chassé pas de bourrée en avant

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I have become a Finis addict. I am a 64 year old wanna be dancer. Your DVDs are so helpful. I feel really lucky to have found you. I even ‘get it.’ Thank you for caring about beginners. Yours in friendship… ”

— Heidi Martin

“This video is a must-have for whoever wants to dance like a pro! This video is an excellent resource for the adult student interested in expanding their knowledge of dance movement in a meaningful way. It offers the chance to learn beautifully danceable combinations in the center while challenging the student with lots of controlled balances, change of directions and basic steps such as the waltz, which is done moving forward and back. I have tried to find such a resource on Amazon or YouTube for quite a while unsuccessfully. I could not find a video totally dedicated to Center exercises and combinations. While you can find a snippet of a combination or two, there is no DVD that includes so many combinations in progression from simpler choreography at a slower pace to a more complex and faster pace. The demonstrator, Glenn Keenan of The New York City Ballet, executes every dance with precision and grace. Her use of arms and her supple upper body grant an elegance to her movement which becomes even more obvious as Finis draws her attention to certain nuances that could be improved, as movement articulation and phrasing. From the waltz to the petit pas de chat, fondu arabesque, and the <i the student’s pleasure increases with every combination, especially when each exercise builds upon the previous and is organically linked to what was taught before. Finis explains and demonstrates himself with his unparalleled elegance and clarity. This video has great impact for the student or ballet teacher—it definitely is a must-have!”

—Ileana Ray, Brooklyn NY

“I want to thank you with all my heart for sharing your gift with all of us. I have loved ballet my whole life. Although my family did their best, they could not afford to send me to lessons for long. I was a cadet at West Point between 1999 and 2002. I used to run 2 miles each way to dance with six year-olds. I wish I would have known you were only a train ride away. I have a very fragmented dance education, and you have helped me put those pieces together. This renewed dancing life has also very unexpectedly allowed me to heal some emotional wounds I suffered during my military times. I am so grateful. I live in a rural area and have opened a small dance studio with the hopes of hiring a teacher for my kids and their friends. I decided I would refresh and start teaching until I could find one. I’m still teaching confidently and happily because of your clear direction. I hope to attend your workshop next year.”

—Josie Posir

“I have been training with your videos now for a year and a half—six days (sometimes seven) each week. Because of your training and techniques, I have been able to improve my own technique. At age 46, I have become a better dancer and teacher. I apply your techniques in all my classes, whether they be ballet, jazz, tap, or hip-hop. After all, a turn is a turn, no matter the dance idiom. My classes run a little slower than they used to, but I prefer quality rather than quantity and my students seem to really enjoy the process and are learning the proper way to do things. Most importantly, they are understanding the reason why they do what they do. I want my students to dance ‘clean’ and don’t just ‘shake it and fake it.’ You are my hero and I want to be the teacher you are! I have gone through almost all your DVDs and have now begun learning from your pointe package. I can’t wait!”

— Sharise Parvise, Studio Sharise, San Jose, CA

“Your Level 3 Centerwork DVD is amazing! I only wish I had found it before I purchased DVDs of other teachers and classes which were of no help to me at all. I learned more in the first few minutes of this video than I did in the other three DVDs combined!”

— Lindsay Francis, Winfield, WV

“My classes are beginning to be transformed by the wonder and joy of dancing from the heart and soul. I am so sorry that I came upon your instruction so late.”

— Karen L. Watkins-Westebbe, Bright Lights Performing Arts Studio, Chesapeake, VA

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